Sunday, October 18, 2009

Keen Company kicks off its tenth anniversary season, with an evening of five short plays by American master Thornton Wilder, all of which will be maki

Synopsis


The evening of shorts includes Such Things Only Happen in Books, in which a domestic life is slowly unwrapped to reveal the complexities at the heart of all families; Cement Hands, about an uncle who attempts to explain to his niece the precariousness of marrying a tight-fisted young fellow; and The Angel That Troubled the Waters, which shows the healer's pain, and how his suffering makes him most human. Also included are In Shakespeare and the Bible and Now the Servant's Name was Malchus. The cast includes Clayton Apgar, Pepper Binkley, Sue Cremin and Kevin Hogan. Carl Forsman and Jonathan Silverstein direct.
Such Things Only Happen in Brooklyn
Clurman Theatre
410 W. 42nd Street
New York, NY 10036

Currently running!
Closes on November 14, 2009
Opened on October 6, 2009

Running Time: 1 hr. 30 min.

Ticket Price: $51.25

Tickets by Phone: 212-279-4200

Malilenas is funded in part by the Fund for Poetry

[excerpts]

4.

Something feeds me zeros until

all my energy is consumed
in error correction.
I find myself
on a path I did not ask for
along an arc I cannot prevent.
I cannot prevent arcs.
I cannot prevent paths
in the form of mathematical certainty
or probability.
Something feeds me,
and all my riches are immaterial. No matter
what I have done, or do, or will do,
probability will save me.

27.
Destitute of worth, having no value.
Destitute of words, having no significance.
Though I meant what I said and
wrote and, writing off
the wreck and the reckoner
cash out in the everyday.
What a beautiful accident! Can I say that?
That’s life, she said.
Capitalize on past mistakes and still you
need a good business sense.
A calculated risk, a cultivated loss—
form a bond with abandon
all you bonds, form
and be content. For whom
and how many
and how many times you begin again
depends on how many times you end.

Hello Failure was presented in the Prelude Festival in 2007, and produced at PS 122 in March 2008.

"One day people are going to realize that Kristen Kosmas is the Chekhov of our time."

—Laylage Courie

"The play opens quietly, more or less, on the Eastern Seaboard and then closes, more or less miraculously, somewhere else altogether, achieving on its happy and troublous way all the things a reader or audience member could hope for—distance, speed, heart, submersion, emergence, truth, mystery, and more. By the end, in a plain and simple and fairly sad way, everything stands for everything else, nothing is not filled with mystery, and to be a living human being is seen to be—despite the drawbacks—the most enviable thing of all."

—Will Eno

"You can hate if you want but you're wrong."

—Andy Horwitz

Flash Fiction Contest


flash fiction contest



Preview: Issue No 9

Preview: Issue No 9

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In 2009, 193 publishers submitted 1,129 books for the 2009 National Book Awards.

2009 NATIONAL BOOK AWARD FINALISTS

Fiction

Bonnie Jo Campbell, American Salvage (Wayne State University Press)

Colum McCann, Let the Great World Spin (Random House)

Daniyal Mueenuddin, In Other Rooms, Other Wonders (W. W. Norton & Co.)

Jayne Anne Phillips, Lark and Termite (Alfred A. Knopf)

Marcel Theroux, Far North (Farrar Straus and Giroux)


Wednesday, October 14, 2009

"This is a very bad book you're writing," I said to myself.


This title will be released on October 20, 2009.

Look at the Birdie is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post -- World War II America -- a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence.

Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing -- and provide insight into the development of his early style -- collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut.

Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut's characteristically insouciant line drawings,
Look at the Birdie is an unexpected gift for readers who thought his unique voice had been stilled forever -- and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius.
-Taken from fictiondb

Sunday, October 11, 2009

Tips for Teaching Poetry


The National Book Foundation’s “5 Under 35” Fiction Selections for 2009

Five young fiction writers will be recognized by the National Book Foundation at the “5 Under 35” celebration at PowerHouse Arena in the DUMBO section of Brooklyn on Monday, November 16, announced Harold Augenbraum, the executive director of the National Book Foundation.

“5 Under 35 is a celebration of emerging talent and the perfect way to kick off National Book Awards Week,” says Augenbraum.

Ceridwen Dovey, Blood Kin (Viking, 2008)
Selected by Rachel Kushner, 2008 Fiction Finalist for Telex from Cuba

C. E. Morgan, All the Living (Farrar, Straus & Giroux, 2009)
Selected by Christine Schutt, 2004 Fiction Finalist for Florida

Lydia Peelle, Reasons for and Advantages of Breathing
(HarperCollins, 2009)
Selected by Salvatore Scibona, 2008 Fiction Finalist for The End

Karen Russell, St. Lucy's Home for Girls Raised by Wolves
(Vintage, 2006)
Selected by Dan Chaon, 2001 Fiction Finalist for Among the Missing

Josh Weil, The New Valley (Grove Press, 2009)
Selected by Lily Tuck, 2004 Fiction Winner for The News from Paraguay

"Comics History/New York History" begins on October 20th, 2009!

New York Comics as New York History
Tuesday, October 20, 6:30 pm

Comics historian Kent Worcester will explore the connection between the city's familiar streetscapes and the development of the comic book from the 1930s and 1940s to the post 9/11 era - looking at the ways comics history has mirrored the ups and downs of the quintessential American metropolis.

Boss Tweed by Thomas Nast

Through the eyes of childhood friends the emotional toll of religious conflict in Ethiopia becomes viscerally clear.

Say You're One of Them

by Uwem Akpan

Say You're One of Them  Cover

An excerpt from the story "An Ex-Mas Feast", the first in Uwem Akpan's collection of stories, Say You're One of Them.

Now that my eldest sister, Maisha, was twelve, none of us knew how to relate to her anymore. She had never forgiven our parents for not being rich enough to send her to school. She had been behaving like a cat that was going feral: she came home less and less frequently, staying only to change her clothes and give me some money to pass on to our parents. When home, she avoided them as best she could, as if their presence reminded her of too many things in our lives that needed money. Though she would snap at Baba occasionally, she never said anything to Mama. Sometimes Mama went out of her way to provoke her. "Malaya ! Whore! You don't even have breasts yet!" she'd say. Maisha would ignore her. Maisha shared her thoughts with Naema, our ten-year-old sister, more than she did with the rest of us combined, mostly talking about the dos and don'ts of a street girl. Maisha let Naema try on her high heels, showed her how to doll up her face, how to use toothpaste and a brush. She told her to run away from any man who beat her, no matter how much money he offered her, and that she would treat Naema like Mama if she grew up to have too many children. She told Naema that it was better to starve to death than go out with any man without a condom.

When she was at work, though, she ignored Naema, perhaps because Naema reminded her of home or because she didn't want Naema to see that her big sister wasn't as cool and chic as she made herself out to be. She tolerated me more outside than inside. I could chat her up on the pavement no matter what rags I was wearing. An eight-year-old boy wouldn't get in the way when she was waiting for a customer. We knew how to pretend we were strangers—just a street kid and a prostitute talking.

Yet our
machokosh family was lucky. Unlike most, our street family had stayed together—at least until that Ex-mas season.

The sun had gone down on Ex-mas eve ning. Bad weather had stormed the seasons out of order, and Nairobi sat in a low flood, the light December rain droning on our tarpaulin roof. I was sitting on the floor of our shack, which stood on a cement slab at the end of an alley, leaning against the back of an old brick shop. Occasional winds swelled the brown polythene walls. The floor was nested with cushions that I had scavenged from a dump on Biashara Street. At night, we rolled up the edge of the tarpaulin to let in the glow of the shop's security lights. A board, which served as our door, lay by the shop wall.

A clap of thunder woke Mama. She got up sluggishly, pulling her hands away from Maisha's trunk, which she had held on to while she slept. It was navy blue, with brass linings and rollers, and it took up a good part of our living space. Panicking, Mama groped her way from wall to wall, frisking my two-year-old twin brother and sister, Otieno and Atieno, and Baba; all three were sleeping, tangled together like puppies. She was looking for Baby. Mama's white T-shirt, which she had been given three months back, when she delivered Baby, had a pair of milk stains on the front. Then she must have remembered that he was with Maisha and Naema. She relaxed and stretched in a yawn, hitting a rafter of cork. One of the stones that weighted our roof fell down outside.

Now Mama put her hands under her
shuka and retied the strings of the money purse around her waist; sleep and alcohol had swung it out of place. She dug through our family carton, scooping out clothes, shoes, and my new school uniform, wrapped in useless documents that Baba had picked from people's pockets. Mama dug on, and the contents of the carton piled up on Baba and the twins. Then she unearthed a tin of New Suntan shoe glue. The glue was our Ex-mas gift from the children of a machokosh that lived nearby.

Mama smiled at the glue and winked at me, pushing her tongue through the holes left by her missing teeth. She snapped the tin's top expertly, and the shack swelled with the smell of a shoemaker's stall. I watched her decant the
kabire into my plastic "feeding bottle." It glowed warm and yellow in the dull light. Though she still appeared drunk from last night's party, her hands were so steady that her large tinsel Ex-mas bangles, a gift from a church Ex-mas party, did not even sway. When she had poured enough, she cut the flow of the glue by tilting the tin up. The last stream of the gum entering the bottle weakened and braided itself before tapering in midair like an icicle. She covered the plastic with her palm, to retain the glue's power. Sniffing it would kill my hunger in case Maisha did not return with an Ex-mas feast for us.

Mama turned to Baba, shoving his body with her foot. "Wake up, you never work for days!" Baba turned and groaned. His feet were poking outside the shack, under the waterproof wall. His toes had broken free of his wet tennis shoes. Mama shoved him again, and he began to wriggle his legs as if he were walking in his sleep.

Our dog growled outside. Mama snapped her fingers, and the dog came in, her ripe pregnancy swaying like heavy wash in the wind. For a month and a half, Mama, who was good at spotting dog pregnancies, had baited her with tenderness and food until she became ours; Mama hoped to sell the puppies to raise money for my textbooks. Now the dog licked Atieno's face. Mama probed the dog's stomach with crooked fingers, like a native midwife. "Oh, Simba, childbirth is chasing you," she whispered into her ears. "Like school is chasing my son." She pushed the dog outside. Simba lay down, covering Baba's feet with her warmth. Occasionally, she barked to keep the other dogs from tampering with our mobile kitchen, which was leaning against the wall of the store.

"Jigana, did you do well last night with Baby?" Mama asked me suddenly.

"I made a bit," I assured her, and passed her a handful of coins and notes. She pushed the money under her
shuka; the zip of the purse released two crisp farts. Though people were more generous to beggars at Ex-mas, our real bait was Baby. We took turns pushing him in the faces of passersby.

"
Aii! Son, you never see Ex-mas like this year." Her face widened in a grin. "We shall pay school fees next year. No more randameandering around. No morechomaring your brain with glue, boy. You going back to school! Did the rain beat you and Baby?"

"Rain caught me here," I said.

"And Baby? Who is carrying him?"

"Naema," I said.

"And Maisha? Where is she to do her time with the child?"

"Mama, she is very angry."

"That gal is beat-beating my head. Three months now she is not greeting me. What insects are eating her brain?" Sometimes Mama's words came out like a yawn because the holes between her teeth were wide. "Eh, now that she shakes-shakes her body to moneymen, she thinks she has passed me? Tell me, why did she refuse to stay with Baby?"

"She says it's child abuse."

"Child abuse? Is she now NGO worker? She likes being a prostitute better than begging with Baby?"

"Me, I don't know. She just went with the
ma -men tourists. Today, real white people, musungu. With monkey."

Mama spat through the doorway. "
Puu, those ones are useless. I know them. They don't ever pay the Ex-mas rate—and then they even let their ma -monkey f*** her. Jigana, talk with that gal. Or don't you want to complete school? She can't just give you uniform only."

"Maestro of the male confessional"


by Nick Hornby
Book Twenty-One
Review:

I would first like to say, "Thank You" to Mr. Hornby for making my "to read" list longer. This is the third collection of columns, by the author, that I read and have to say probably the most interesting. Hornby who is mainly known for his novels turned into movies, has managed to suck me in once again with his list of books he has purchased for a month and books he actually has read. The reader feels like they are witness to a private diary of accomplishments and regrets. The style is brilliant and a must read for any bibliophile. Read on Mr. Hornby, read on!

With an affectionate introduction by Sarah Vowell, this is the third and final collection of columns by celebrated novelist Nick Hornby from The Believer magazine. Hornby's monthly reading diary is unlike any arts column in any other publication; it discusses cultural artifacts the way they actually exist in people's lives. Hornby is a voracious and unapologetic reader, and his notes on books — highbrow and otherwise — are always accessible and hilarious.
-Taken from Amazon.com


"Good god I HATE my life, I want to die really bad now."



Columbine

Book Twenty
Review:

A few months ago, I read this book and somehow blocked it out of my "to blog" list. A great chronicle of the Columbine incident from 10 years ago, written in a unique way, should not be passed over so lightly. Some fear the tragedy and would rather not know anything about it. This wasn't your ordinary non-fiction retelling of the event, but more of a story told by the major players and their families and friends. I think all educators should read this book. Be sure to check out the author's blog.

From the book jacket

April 20, 1999, two boys left an indelible stamp on the American psyche. Their goal was simple: to blow up their school, Oklahoma City-style, and to leave "a lasting impression on the world." Their bombs failed, but the ensuing shooting defined a new era of school violence-irrevocably branding every subsequent shooting "another Columbine."

When we think of Columbine, we think of the Trench Coat Mafia; we think of Cassie Bernall, the girl we thought professed her faith before she was shot; and we think of the boy pulling himself out of a school window-the whole world was watching him. Now, in a riveting piece of journalism nearly ten years in the making, comes the story none of us knew. In this revelatory book, Dave Cullen has delivered a profile of teenage killers that goes to the heart of psychopathology. He lays bare the callous brutality of mastermind Eric Harris and the quavering, suicidal Dylan Klebold, who went to the prom three days earlier and obsessed about love in his journal.

The result is an astonishing account of two good students with lots of friends, who were secretly stockpiling a basement cache of weapons, recording their raging hatred, and manipulating every adult who got in their way. They left signs everywhere, described by Cullen with a keen investigative eye and psychological acumen. Drawing on hundreds of interviews, thousands of pages of police files, FBI psychologists, and the boys' tapes and diaries, he gives the first complete account of the Columbine tragedy.

In the tradition of Helter Skelter and In Cold Blood, Columbine is destined to be a classic. A close-up portrait of violence, a community rendered helpless, and police blunders and cover-ups, it is a compelling and utterly human portrait of two killers-an unforgettable cautionary tale for our time.




Amazon Exclusive: Marjane Satrapi Reviews The Locust and the Bird

Marjane Satrapi was born in Iran and now lives in Paris, where she is a regular contributor to magazines and newspapers throughout the world, including The New Yorker and The New York Times. She is the author of the internationally bestselling and award-winning Persepolis and Persepolis 2. She co-wrote and directed the Academy Award-nominated animated film version of Persepolis. Read Satrapi's exclusive Amazon guest review of The Locust and the Bird:

While I was reading Hanan Al Shaykh’s new book, The Locust and the Bird, my regret as an author was not to have known Kamila, Hanan’s mother, the extravagant narrator of this book. What a woman! What a storyteller! She reminds me of my beloved grandmother (who is in many of my books), and many other women of her generation that I knew, who were manipulative in order to survive, who lied in order to establish the truth, and, most of all, so full of life and passion. When I finished the book I had one major thought: this book needs to be made into a movie, but this is the kind of story one needs to be a real Lebanese in order to turn it into a movie. That was my other regret as a movie maker. But most of all I felt extremely lucky to spend time with someone so intelligent, full of humor and love. --Marjane Satrapi

Homer, meanwhile, is slowly going blind.

Excerpted from the novel HOMER & LANGLEY,

that just came out from Random House

this September 1, 2009 by E. L. Doctorow.

Langley said he had never heard of the Police Beneficiaries League and asked what its work was.

The cop didn't seem to hear. I leave the accounting to you in good faith, Mr. Coller, and I will come by of a Wednesday morning for the remittance and no questions asked, but with a floor of ten dollars.

Langley said: What do you mean "a floor"?

The cop: Well, sir, it would not be worth my time for anything less.

Langley: I understand that criminal matters in this city do press upon your time, Officer. But you see we don't charge much for our tea dances, they are offered more in the nature of a public service. If we have forty couples of an afternoon it's a lot. Add to that our overhead—refreshments, labor costs—and well, we might think about supporting your Police Beneficiaries League with a bribe or, as you call it, a floor of maybe five dollars a week. And for that we would of course expect you to stand out front every Tuesday and touch your cap.

Well now, Mr. Coller, if it was up to me, I would say to you "done and done." But I have my overhead as well.

And that is … ?

My sergeant over to the precinct.

Ah yes, Langley said to me, now we're getting to it.

Coming soon- Jonathan Lethem

Chronic City

This title will be released on October 13, 2009.

about this book

Chase Insteadman, a handsome, inoffensive fixture on Manhattan's social

scene, lives off residuals earned as a child star on a beloved sitcom called

Martyr & Pesty. Chase owes his current social cachet to an ongoing tragedy

much covered in the tabloids: His teenage sweetheart and fiancée, Janice

Trumbull, is trapped by a layer of low-orbit mines on the International Space

Station, from which she sends him rapturous and heartbreaking love letters.

Like Janice, Chase is adrift, she in Earth's stratosphere, he in a vague

routine punctuated by Upper East Side dinner parties.


Into Chase's cloistered city enters Perkus Tooth, a wall-eyed free-range
pop critic whose soaring conspiratorial riffs are fueled by high-grade
marijuana, mammoth cheeseburgers, and a desperate ache for meaning.
Perkus's countercultural savvy and voracious paranoia draw Chase into
another Manhattan, where questions of what is real, what is fake, and
who is complicit take on a life-shattering urgency. Along with Oona
Laszlo, a self-loathing ghostwriter, and Richard Abneg, a hero of
the Tompkins Square Park riot now working as a fixer for the
billionaire mayor, Chase and Perkus attempt to unearth the
answers to several mysteries that seem to offer that rarest
of artifacts on an island where everything can be bought: Truth.

Like Manhattan itself, Jonathan Lethem's masterpiece is
beautiful and tawdry, tragic and forgiving, devastating
and antic, a stand-in for the whole world and a place
utterly unique.

-Taken from Random House